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Time Immemorial

by My Fictions

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Orchid Kudi
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Orchid Kudi Dark and heavy hardcore, played by people that like black metal. Riffs upon riffs charged with powerful breakdowns/mid tempos, what's not to love?

FFO : Kickback, Friendship Favorite track: Psychic Reading.
Niko Kolis
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Niko Kolis An honest account of what we are all going to live through. Get ready for the end times with this hulking menace of a record. Favorite track: Oblivion.
YomaBarr
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YomaBarr Hardcore chaotic like the world around, of the kind I love best and of the highest order. Listen. Listen. Listen.
Darknight
Darknight thumbnail
Darknight What a return Time Immemorial is a total banger and My Fictions don't hold back on there version of chaos. Favorite track: Oblivion.
SelvMortSydd
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SelvMortSydd My favorite band is back with an absolute banger, from beginning to end. Welcome back guys, and next time don't let us wait so long .. Favorite track: Endless.
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1.
Nobody cares when prophecy fails They’re just hoping to find a good reason to die Are those bonds solidified? I don’t think it’s meant to be More than a gesture, or wishful thinking To join together - join up and sink Under the weight of shared suffering When will I finally realize That hope is unkind? And that searching for a reason Is a waste of fucking time I feel myself recede Is this the way it’s meant to be? I refuse all this pain I can’t internalize everything I can’t internalize everything But I can’t look away What good does it do to you To look on in sickness To observe as the world burns To act as a witness? When will I finally realize That hope is unkind? And that searching for a reason Is a waste of fucking time I feel myself recede Is this the way it’s meant to be? I refuse all this pain I can’t internalize everything I keep holding this suffering To reach our shared humanity It’s all I fucking have I can’t remove myself I’ve held this pain inside of me For you it’s all I have to share But is there something more? Just in a better world? Not yet
2.
Fallacy 02:17
I can no longer bear witness I need to remove myself I can no longer bear witness I’m spiraling just trying to connect Bringing myself back to A place I knew before A familiar feeling A recurring discontent & frustration aside It’s in my nature to hide To retreat into my grief And just subside A spectator just passing by I’m angry enough Without constant reminders Of the consequences Of my fucking actions I’m so unsure of how to connect I am flawed and I’m wrecked with regret And I’ve abandoned so much of myself And I’m left in the wake of the sunken cost Of familial trauma left unresolved And when I fail I’ll fail myself I’ll hold this pain until it breaks me It just goes to show that what I know is never in doubt That when I go I’ll go alone and burn out
3.
Oblivion 03:15
Sometimes it feels like it’s too late No solution for this I can’t change No relief No prior wanring Before we’re born For what we’re meant to endure But what’s the purpose What’s at stake If we are playing A losing game And I march slow With nothing to hold Into oblivion My mistake to think that we’re doomed to repeat Repetition implies sustainability It gets worse as it goes on We’re cast in amber nostalgic Set to reenact the patterns That cause the fucking problems And I refuse to cope It’s better to be alone I know I have to live with myself But I can’t Put that on someone else What good Would it do to continue this I feel the weight of impending doom Consuming - what else do I have to offer you What good has learning this brought you Slow march Into oblivion By myself What good has suffering brought you? What good has solitude brought you?
4.
Endless 01:46
What’s left to regret What I’m grieving hasn’t happened Not Yet - but it’s doomed to come at some point A path set, undone but somehow endless But I can’t redirect this undertow I’m drowning in I’m exhausted by constant mourning Of every choice I could but don’t make And the weight of my thoughts consumes me There’s no clear path I could take To rid myself of these mistakes Don’t give a fuck what’s ahead of me Again I sink into apathy This consciousness is a burden I’m forced to witness the end - oblivion Don’t give a fuck what’s ahead of me I just want to be rid of this I feel the cycle reset The hope is gone I can’t feel it
5.
Feels like I’ve only got myself But I could go the rest of my life Without resolving that I’m stuck with what I think I know The world just feels so fucking old But lessons lost are only those Feelings felt since Something’s wrong, I feel cursed Regret weighing on me worse than before Same song with a new verse Repeating patterns - diminishing returns How much of me do I have left What can I sacrifice and still be myself What’s left to bury if I’m burned to the bone So much is taken from me I can’t escape the feeling Time weighs me down And I different Calloused and cold But what’s the difference It’s like I never learned to cope To fill a void or fix a hole So now I sink Without control A feeling felt since Time immemorial
6.
Sin Eater 03:13
I’ve had some time to reflect On my failings in the past On what it takes to be a friend On what I have and who I share it with Why must this distance still persist i cling to memories but it’s useless Where will I turn when I ruin this Set on a path I’ll regret Know I’ll destroy myself again I’m not afraid of the abyss I can withstand nothingness But what comes between is it locked in Can I change what comes before the end? Time feels so heavy Under the weight of entropy Why must I burn the way I do Engulf others in what I go through The distance grows, the distance proves I can’t sustain I can’t break through Why’s reaching out feel impossible Why can’t I just destroy what’s left of my ego? Time immemorial

about

Staring down an unbearable future, My Fictions returns from a seven year absence with Time Immemorial, six songs about dreading what’s to come. The band, consisting of bassist/vocalist Bryan Carifio, guitarist Tyler Bradley and drummer Seamus Menihane, has always created music as harsh, alienating and unrelenting as reality itself. From their vitriolic early EPs I Want Nothing and Always Trapped, through splits with bands like The Saddest Landscape and Aviator and up until their vicious full-length (and up to this point, finale) Stranger Songs, My Fictions has been indebted to bands across the spectrum of aggressive music like American Nightmare, Converge and City of Caterpillar. With Time Immemorial, the band sets a new path forward.

Time Immemorial started as a shot in the dark. A text from Bradley to the rest of the band, along with a demo of the song that would become EP opener “Psychic Readings,” sparked the first band practice in years. Over a number of weeks in a warehouse in Massachusetts’ Merrimack Valley, the rest of Bradley’s demos were hammered into a tight six song package. A new set of songs marked the close of this long hiatus, and with it came with a new sense of freedom. While one familiar with the band would pause at the use of a word like “optimistic” to describe anything related to the My Fictions experience, the opportunity to try new things and a new band doctrine of “why not” set in motion a plan to travel to Philadelphia and make a new record.

The EP was almost entirely tracked over a weekend in May at the Knife Lair with Wyatt Oberholzer - another new direction for a band.To this point My Fictions had recorded almost all of their music themselves with Bradley doing the work of engineering everything minus a single split release. This shift allowed the band to refocus on the songwriting process with someone else behind the boards. Songs like the first track “Psychic Readings” maintain the ferocity and tempo of older songs, but bring a new emphasis on structure into the fold, with what may be the band’s first ever chorus making an appearance. Faster ones like “Fallacy” and “Endless” are as chaotic as anything that the band has done before, showcasing drummer Menihane’s ability to navigate through breakneck shifts in tempo and tension. Tracks like closer “Sin Eater” and the title track “Time Immemorial” are mid-tempo reprieves that use Bradley’s droning, reverb-burdened leads to haunt over the equally bleak lyrics.

In the weeks following the band’s trip to Philadelphia, vocalist Bryan Carifio had time to rework his lyrics before recording the remaining EP vocal tracks with engineer and longtime gig accomplice Mike Moschetto. While the band’s catalog has been lyrically fixated on the past as a place to focus, Time Immemorial shifts to the not-so-bright future. “Nobody cares when prophecy fails,” laments Carifio on the record’s opening line, “they’re just hoping to find a good reason to die,” a lyric showing that the scope of his fatalist worldview has expanded past his own life in the time since the band’s last LP. An expanded worldview only adds to the sense of dread. Points of pain are no longer scraped from diaries or text messages - Carifio rather seeks out a greater explanation for suffering. The song “Oblivion” - inspired in part by the film First Reformed - is a full rejection of the idea that conditions, either on a personal or larger scale, are going to improve anytime soon. The song peaks at the end with the lines “I have to live with myself, but I can’t put that on someone else… I feel the weight of impending doom,

what else do I have to offer you?” a question acting more as an existential exercise than an actual inquiry about how to move forward facing the end of the world.

Formed right at the end of 2010, at this point My Fictions has endured over ten years of existence. Time Immemorial is a declaration that the next decade may not have much more to offer than the last. It offers a renewed sense of purpose - found somewhere between Cassandra’s failed, unheard warnings and Sisyphus’ doomed dedication to reach the hilltop - created by a band known for soundtracking life’s bleakest moments.

credits

released September 3, 2021

Bryan Carifio - Bass / Vocals
Tyler Bradley - Guitar / Vocals
Seamus Menihane - Drums

All music recorded by Wyatt Oberholzer at the Knife Lair
Vocals for all songs except 'Fallacy' recorded by Mike Moschetto at the Record Co. in Boston, MA
Painting by Adrian Gazcon (@AdrianGazcon)

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Wolves of Hades / Argento Records Amsterdam, Netherlands

Wolves of Hades:
Carving the sound of broken bones and desperate cries through analog decay since MMXIV.

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Argento Records:
Exploring new paths to aural ecstasy

Anno Domini MMXV
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